
Cast the First Stone 2024 Solar Plate Etching with mixed media

Metamorphosis: Mending the Wound is an exhibition organized by Lynk Collective Image- Olga Ryabtsova @olga-ryabtsova.com

Boy in Blue Robe 19" x 23" Paper Lithograph and Monotype

To Heal 19" X 23" Cyanotype with Collage

Vanity! Vanity! 16" x 16" Monoprint with Paper Lithograph 2023

Delivered 4' X 3.5' Paper Lithography and Thread on Recycled Materials.

The Deep 15" X 7.5" Cyanotype Print 2023

Man With A Hat 8" x 6" Solarplate Etching 2023

Untitled Cyanotype with Paperlitho for Collaborative Project "Blue Wall" with Lynkcollective 13" X 19" 2023

We The People 6" x 8" Solarplate Etching and Gel Pen 2023

Girl With An Umbrella, 16" x 21" Mixed Media 2023
Alice Alone 6" x 8" Solarplate Etching 2023

I Am My Father's Daughter 6.75" X 9" Solarplate Etcjing 2022

Trapped 6" X 8" Solarplate Etching 2021

Transformed 11" X 17" Collagraph, Monoprint, Colored Pencil 2023 Collaborative piece for the "Blue Wall" with the Lynkcollective
Bone of His Bone, 15.5" x 20.5" Monoprint with paper lithography, 2022

Post It, 10.5 " X 13.5" ,Monoprint with paper lithography, 2022

Post It lll, Monoprint with paper lithography, 10.5" X 13.5", 2022

Valley of the Dry Bones, 15" x 19" Monoprint with paper lithography, gold acrylic paint, and watercolor 2022

Joy, 30" x 22", monoprint with paper lithography, 2021

Ode to Joy, 30" x 64" , collaborative piece- head, Tracy Loreque Skinner, torso-Elisabeth Beck, feet- Paula Voss. Artist @Lynkcollective. 2021

Ode to Joy, 30" x 64" ,collaborative piece . head-Tracy Loreque Skinner, torso-Elisabeth Beck, feet- Paula Voss. Artist @Lynkcollective. 2021

Constructing Mary, monoprint with chine-colle and paper lithography, 2017

Chasing After The Wind, 6" x 8", Solarplate Etching, 2019

Find Your Compass, 12" x 10", Monoprint, Paper Litho, Colored Pencil 2021

Seeing Through It, 8" x 10", Solarplate Etching, 2020

Catching Fish, 14" x 10", Monoprint w/ Paper Lithography, 2019

Sculpt Thyself, 15.5" x 15.5", Monoprint w/ Paper Litho + Chine Colle, 2019

Lizards, 10.5" x 14", Monoprint w/ Paper Litho, 2018

Everything Under The Sun, 10" x 13.5", Monoprint, Paper Litho, Colored Pencil, 2020

Do Something, 10.5" x 14", Monoprint, Paper Litho + Chine Colle, 2015

Meeting Of The Minds, 13" x 10.25", Monoprint, Paper Litho, 2014

Untitled, 6" x 6", Monoprint w/ Paper Litho, 2018

Muzzled Voices, 6" x 8", Solarplate w/ Paper Litho, 2020

All Rivers Run into the Sea, and Still She is Not Full, 12" x 8", Monoprint w/ Paper Litho, 2020

All Rivers Run into the Sea, and Still She is Not Full, 12" x 8", Monoprint, Paper Litho + Gold Paint, 2020

Untitled, 14" x 10" Monoprint w/ Paper Litho + Fabric, 2018

Compassion", 6" x 7.5", Solarplate Etching, Chine Colle + Gold Paint, 2018
There is something about printmaking as it relates to the sensory system that I’m drawn to. The preparation of the ink; applying ink to a plate; removing excess ink; the sound the ink makes when you roll the brayer. It is the process itself that I enjoy along with the challenge of trying to figure out how to compose separate elements into a whole. Printmaking offers a variety of techniques that can be free flowing or very structured. And although some techniques can be very frustrating because you may not always have complete control, it is also one of the very aspects of printmaking that can be so exciting: when you get an unexpected surprise.
There are a variety of printing processes that have been the mainstay of my work: paper lithography, solarplate etching, monotypes, though I have also enjoyed collagraphs and silk aquatint. Favored techniques are paper lithography and solarplate etching, as I studied lithography in college and found that paper lithography can render a similar effect and allow me to blend my photography into the final image. Solarplate etching can provide the final image with a fine tonal photographic feel but also a very bold graphic visual. My final images are often a result of working back and forth between that which is tangible and digital manipulation. The possibilities seem limitless, and I enjoy experimentation.